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It has been more
than eighty years since a group of men came together on a wintry
February evening on Vesey Street to form a new cultural organization
which they called the Down Town Glee Club. The meeting had
been arranged by two young men who had served aboard the same ship
while in the U.S. Navy.
Channing
Lefebvre and Arthur Schwartz would later recall talking about forming
such an enterprise while standing at the ship’s starboard
rail somewhere in the cold North Atlantic. Channing became
the club’s first conductor, and Arthur its first president.
Over a period of several weeks, the singers met every Wednesday
night, rehearsing a varied program with the help of a twenty-four
year old accompanist, George Mead. By the date of the concert,
May 12, 1927, more than one-hundred men joined to perform in the
grand ballroom of the Hotel Roosevelt. The concert was a huge
success by all accounts, and the Down Town Glee Club was well on
its way to becoming a well respected member of New York’s
music community.
The
club continues to present two concerts each year - one in the winter
and one in the spring. In addition, it has always performed
other special concerts. In recent years the concerts have been held
in St. Paul’s Chapel on lower Broadway, not more than a block
from where it all began. There are very few male glee clubs
performing today. They represent a somewhat unique sound compared
to the most mixed groups that abound. Popular music changed
a good deal beginning in the second half of the last century. Glee
club music will typically include a wide array of songs - Broadway,
sacred, folk, standards, as well as more traditional choral music
that’s been around for a long time. After a lapse of
some years, composers and arrangers have again begun to pay more
attention to four-part male harmony. The Down Town Glee Club,
having survived thus far in its long fight for survival, is now
enjoying a modest resurgence and is attracting new singers and a
broader audience for the first time in years.
- Gerald
Osterberg
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